Last edited by Yotilar
Sunday, July 26, 2020 | History

2 edition of private copying of sound and audio-visual recordings found in the catalog.

private copying of sound and audio-visual recordings

Gillian Davies

private copying of sound and audio-visual recordings

a study requested by the Commission of the European Communities

by Gillian Davies

  • 176 Want to read
  • 23 Currently reading

Published by G. Davies in [Great Britain?] .
Written in English

    Places:
  • European Economic Community countries.
    • Subjects:
    • Sound recordings -- Pirated editions -- European Economic Community countries.,
    • Video recordings -- Fair use (Copyright) -- European Economic Community countries.,
    • Magnetic recorders and recording -- Fair use (Copyright) -- European Economic Community countries.,
    • Copyright infringement -- European Economic Community countries.,
    • Copyright, International.

    • Edition Notes

      Bibliography: leaves 258-265.

      Statementby Gillian Davies.
      ContributionsCommission of the European Communities.
      Classifications
      LC ClassificationsLAW
      The Physical Object
      Paginationxx, 265 leaves ;
      Number of Pages265
      ID Numbers
      Open LibraryOL2882359M
      LC Control Number84105685

      Equitable Remuneration for Performers and Producers of Sound Recordings Private Copying Levy PART V - ASSIGNMENT AND LICENSING fixation of the audio-visual work; “producer of a sound recording” means the person, or the legal entity. Oct 08,  · (a) The publication, printing, display, or use of the name or likeness of any person in any newspaper, magazine, book, news broadcast or telecast, or other news medium or publication as part of any bona fide news report or presentation having a current and legitimate public interest and where such name or likeness is not used for advertising.

      To receive concert royalties, you must complete and submit a Notification of Live Performance (NLMP) form, along with proof of your performance (e.g., a ticket stub, program book, contract, etc.). SOCAN Members have up to one year from the date of the performance to submit this information to SOCAN. There are also other specific exceptions to doing certain acts in relation to certain works or other subject matter, such as reproducing works in books, newspapers and periodical publications in a different form for private use (s43C), copying sound recordings for private and domestic use (sA), use by organisations assisting a person with a Brand: ICLG.

      Jul 09,  · Ethical to rip an audio book from the library and keep it? i had an *enormous* argument with an ex once over photocopying an entire technical book i owned and lent to him. i didn't want him to. Incidental copying of a work in a film or sound recording or other work permissible where copying not deliberate [S40] Extracts can be copied for criticism, review, news reporting (as long as work acknowledged – title/author) [S41] Copying for research or private study by .


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Private copying of sound and audio-visual recordings by Gillian Davies Download PDF EPUB FB2

Get this from a library. Private copying of sound and audio-visual recordings. [Gillian Davies; Commission of the European Communities.]. Get this from a library. Private copying of sound and audio-visual recordings: a study prepared for the Secretariat-General of the Commission of the European Communities, Cultural Questions Division.

[Gillian Davies; Commission of the European Communities.]. This thesis examines these challenges in particular in relation to the audio-visual industries. Findings drawn from a wide range of sources ranging from private industry sources to intergovernmental bodies are used to determine the extent of piracy and private copying and the effects of these on the copyright industries and copyright owners thebindyagency.com: Konstantinos I.

Daramaras. This best-selling book introduces you to the principles of sound, perception, audio technology and systems. Whilst offering vital reading for audio students and trainee engineers, this guide is ideal for anyone concerned with audio, sound and recording, beginners and professionals alike.

Jun 30,  · Part IX—Moral rights of performers and of authors of literary, dramatic, musical or artistic works and cinematograph films. copyright in an audio-visual work (such as sound recording, cinematograph film, sound broadcast, television broadcast or cable programme) if the copying was for research or private study.

You may copy a film or recording of television or sound broadcast or cable programmes provided that such copy is made for private and domestic use. If the. Sound Recordings (documentary recordings) 1. Recordings of public meetings or speeches, conferences, guest speakers, and testimonies of agency officials before congressional committees and at other hearings.

Recordings, or oral histories, of people who have participated in events that an agency deems historically significant.

Copies of sound recordings can be made available for students to access via the LMS but cannot be made publicly available (such as via YouTube). Access to the copied sound recordings must be restricted to UWA staff and enrolled students. All sound recordings created or copied under the music licence must contain the following statement as.

The term "piracy" has been used to refer to the unauthorized copying, distribution and selling of works in copyright. The practice of labelling the infringement of exclusive rights in creative works as "piracy" predates statutory copyright law.

What can I copy without the copyright owner's permission. such as copying up to 10% or one chapter of a book, or copying one article, (literary, dramatic, musical and artistic works) and audio-visual items (sound recordings, films and broadcasts).

The dealing must be. only phonorecords (includes digital) - only sound recordings, excludes audio visual works; Primary purpose must be private home use; sound recordings must be fixed lawfully - no pirates; Can only adapt to suit musical style- can't change fundamental character (can't change lyrics/melody but can adapt it to different musical style).

Discover Book Depository's huge selection of Gillian Davies books online. Free delivery worldwide on over 20 million titles. We use cookies to give you the best possible experience. Private Copying of Sound and Audio Visual Recordings. Gillian Davies. 01 Nov Hardback. unavailable.

The Berne Convention stipulates that the duration of the term for copyright protection is the life of the author plus at least 50 years after their death. For some categories of works, the minimum duration is shorter. For example, the minimum term for applied art is 25 years.

Movies have a. Taking care when handling any collection item is one of the more effective, cost-efficient, and easily achieved preservation measures. *Demagnetization is unlikely to occur in most situations, but keep magnetic tape away from the magentic fields created by motors, transformers, loudspeakers, vacuum.

Beforesound recordings were not subject to federal copyright, but copying was nonetheless regulated under various state torts and statutes, some of which had no duration limit.

The Sound Recording Amendment of extended federal copyright to recordings fixed on or after February 15,and declared that recordings fixed before that. The author of a cinematographic work is the person by whom the arrangements necessary for the making of the work are undertaken.

Copyrigh protects original works of authorship including literary works (including computer software and compilations), music, dramatic works, pantomimes, choreographic work, pictorial, graphic, and sculpture works (such as maps and blueprints), motion pictures and other audio/visual works, sound recordings, and architecture.

Sep 02,  · For audio-visual works and photographs- 50 years from the end of the year in which the work was either made first available to the public or first published whichever date is later; For sound recordings- 50 years after the end of the year in which the recording was first.

work. It is unlikely that there will be fair dealing with a work if a whole chapter from a book, a summary, or the whole or the greater part of the treatment of a particular topic in a work, is copied. This means that, under section 43 of the Act: the copying must be for the sole purpose of the user’s own research or private.

A sound recording - unlike the musical notes – which are noted down on a sheet, is a material object that either reproduces or mechanically plays music. It is imperative to mention here that motion pictures and audio-visual works do not fall in the category of sound recordings.

A lot of these come under exceptions for private copying and format shifting for example. This system creates a complex Act. The US approach to fair use simplifies these tests and leaves it open to the courts to come up with jurisprudence for when uses will be considered to be fair.Sound and audio-visual works.

The authors of artistic and literary works, their performers, composers and producers of sound recordings and broadcasting organizations shall enjoy their financial rights, as prescribed by the implementing regulations.

Copying or photographing parts of a book or a collection of books or parts of any work.copying Fair dealing: sections 41A and AA Works (literary, dramatic, musical and artistic works) and audio-visual items (sound recordings, films and broadcasts).

The dealing must be for the purpose of parody or satire and be fair. The patron.* Purpose of use: news reporting Exception Material covered by exceptions Application of exception.